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'Fatal Frame II' uses a Camera Obscura to exorcise ghosts—what’s the hardest ghost you photographed (Sae Kurosawa, or the Crimson Butterfly), and how did you time shots for maximum damage? Did you ever run out of film mid-exorcism and find more in time, and what’s the most unique horror mechanic moment you had?
Posted : September 22, 2025 4:56 am